
Getty Museum
Sculptural Relief of Victory from the Temple of Victory, the Acropolis, Athens
Creator
Joseph-Philibert Girault de PrangeyFrench Daguerreotypist · 1804–1892
All works by this person →Until recently, pioneering daguerreotypist Joseph-Philibert Girault de Prangey was unknown in the world of fine-art photography. His extraordinary images were discovered in a storeroom of his estate in the 1920s and only made known some eighty years later. Girault de Prangey studied painting at the École des Beaux-Arts in Paris and learned daguerreotypy in 1841, the same year inventor Louis-Jacque
More on Getty ULAN- Date
- 1842
- Medium
- Daguerreotype
- Culture
- French
- Department
- Photographs
- Institution
- Getty Museum
- Object ID
- c69cc43b-61b2-4122-9a26-4115c2d8f2f1
>I pride myself on the use that I made of the tool invented by Daguerre. I obtained, usually with complete success, various bas-reliefs and statues at the Acropolis, many fragments, and whole monuments. > >--Joseph-Philibert Girault de Prangey The daguerreotype has been called a "mirror with a memory"-perhaps an especially apt description for this photograph of archaeological remains from the Acropolis. The headless, armless figure, believed to be the goddess of victory from the Temple of Athena Nike, emerges ghostlike from the daguerreotype's polished surface. Surrounding spectral highlights (white dots that were a typical result of the plate's uneven coating and development) seem to enhance the sense of time passage. This is one of the oldest surviving photographs ever made of the Acropolis, one of the Near East sites that Frenchman Joseph-Philibert Girault de Prangey traveled to in 1842 to study and document ancient architecture. In subject matter and composition, this image resembles those created by other daguerreotypists in the circle of Daguerre himself. Like those photographers, Girault de Prangey may have been inspired by the centuries-old tradition of artists making sketches after old master works.
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