![[Self-Portrait]](https://media.getty.edu/iiif/image/3ddb734f-7029-4651-a093-9b2910b069f9/full/808,/0/default.jpg)
Getty Museum
[Self-Portrait]
Creator
Edward SteichenAmerican Photographer · 1879–1973
All works by this person →> The camera is a witness of objects, places, and events... The technical process simply serves as a vehicle of transcription and not as the art. > --Edward Steichen Edward Steichen became interested in photography at age sixteen. Influenced by the atmosphere of moonlight that came to characterize his early Pictorialist photographs, he also painted. Upon turning twenty-one, he left for Europe by w
More on Getty ULAN- Date
- 1901
- Medium
- Gum bichromate print
- Culture
- American
- Department
- Photographs
- Institution
- Getty Museum
Holding a painter's palette in his left hand and a paintbrush in his right and wearing a smock that belonged to the photographer Fred Holland Day, Edward Steichen created a boldly assertive self-portrait. Although Steichen was still active as a painter when he made the photograph, the image also implies that the photographer's craft is equal to that of the traditional artist.Using a gum bichromate process served to heighten the painterly effect of this photograph, creating a soft-focus, grainy image that did not resemble the sharp-focus prints that were more popularly favored. The overall darkness of the print heightens the picture's drama, while the contrasting highlight areas of shirt collar and brush tip create a tonal balance within the composition. Standing in three-quarter pose, the young photographer appears poised for certain artistic ascendancy, his taut grip on the paintbrush reinforcing the sense of purpose.
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