
Getty Museum
Border with the Sacrifice of Isaac
Creator
Simon BeningFlemish Illuminator · 1483–1561
All works by this person →One of the most celebrated painters of Flanders in the 1500s, Simon Bening was hailed by Portuguese art critic Francisco da Hollanda as the greatest master of illumination in all of Europe. In addition to producing books for powerful aristocrats such as Cardinal Albrecht of Brandenburg, Bening worked for a group of international royal patrons including Emperor Charles V and Don Fernando, the Infan
More on Getty ULAN- Date
- about 1525–1530
- Medium
- Tempera colors, gold paint, and gold leaf
- Culture
- Flemish
- Department
- Manuscripts
- Institution
- Getty Museum
The emotional power of the Crucifixion on the opposite page complements the dramatic tone of the meditational text on this page. A rubric in red ink introduces the contents of the reading: *Von der blossen kreützigu[n]g und hoher auffhenckung an das Creutz des herren Iesu* (Of the stark Crucifixion and the hanging of Lord Jesus high on the cross). The fact that the prayer book is written in German rather than Latin reflects the increasing acceptance of the vernacular as an appropriate language for texts, both literary and sacred. Simon Bening surrounded the text with an illusionistic frame, as if the words were painted on a tangible wooden panel. The words on a small hanging sign to the right identify the biblical passage (Genesis 22) that tells the story of the Sacrifice of Isaac, the scene shown in the border below. The Old Testament story of Abraham's willingness to sacrifice Isaac, his only son, at the Lord's command was understood as a prefiguration of God's sacrifice of his only son, seen in the Crucifixion on the opposite page. Bening set the scene within a deep, continuous landscape that is only visible in the border, as if the text panel were blocking the observer's view.
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