Kiln/[La Quema]

Getty Museum

Kiln/[La Quema]

Creator

Manuel Álvarez Bravo

Mexican Photographer · 1902–2002

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A self-taught photographer, Manuel Alvarez Bravo purchased his first camera at age twenty while working at a government job. His earliest success at photography came around 1925, when he won first prize in a local photographic competition in Oaxaca. He returned to Mexico City, where he had been born, and in 1927 met Tina Modotti, who introduced him to a lively intellectual and cultural environment

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Date
negative 1957; print 1974
Medium
Gelatin silver print
Culture
Mexican
Department
Photographs
Institution
Getty Museum
Object ID
d6ada6d5-03da-4230-b5f1-d2b924c30fe7

Billowing, black smoke fills the sky, obscuring the grazing burro on the right, in this photograph of an adobe brick kiln. Manuel Alvarez Bravo called this image *La Quema*, a term meaning "the fire" or "the burning." Depicting a landscape threatened by human industry, the image may symbolize more sinister historical events. Alvarez Bravo, who came of age during the violent Revolution of 1910-1920, often saw dead bodies burning in the street. The Mexican people may have viewed the kiln--a site of fiery transmutations--as an allusion to the Spaniards' conquest and purging of the Aztecs in the 1500s. About this image, one historian has said: "The photograph does not project sorrow or excessive drama, but quiet and noble resignation. Even the human figure standing at the base of the kiln/pyramid has an attitude, extremely Mexican in character, of resigned acceptance of destiny."

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