
Getty Museum
Big Skull and Horn in Two Parts II
Creator
Jack ZajacAmerican Artist · 1929–present
All works by this person →Over more than fifty years, Jack Zajac has created a diverse body of sculptural work. His subjects have ranged from animal skulls to flowing water--disparate images united by a desire to capture natural forms and forces and to grapple with themes of purification, sacrifice, and rebirth. Zajac began painting at an early age. Shortly after his family moved from Ohio to Southern California, he began
More on Getty ULAN- Date
- 1963
- Medium
- Bronze
- Culture
- American
- Department
- Sculpture
- Institution
- Getty Museum
This sculpture representing a ram's skull and horn is at once realistic and abstract. Composed of two parts, one form twists and curves upward, suggesting the distinct, massive horn of a ram. The second, more compact form evokes the long-faced shape of the skull. Its indentations suggest the hollow space of the eye sockets and mouth. But each part also clearly departs from a naturalistic depiction. In fact, it is not the forms themselves but their varied surfaces--furrowed and grained or smooth and polished--that most acutely conjure up a craggy, decaying skeleton. It is as if we have stumbled upon some slightly unfamiliar archeological find. Jack Zajac's inspiration to sculpt a ram's skull came from casually squeezing balls of wax into shapes he found appealing. According to the artist, he noticed a striking resemblance to an animal's skull in the wax's contours. Zajac then elaborated this form into a more immediately recognizable image. The *Ram's Skull* series is comprised of fourteen unique sculptures. Several of the sculptures, like this one, are made up of two discrete parts. The decision to separate the skull and horn arose when a plaster Zajac was working on broke in two and he appreciated the effect of this "accident." Zajac builds his plaster models by hand and carves directly into the surface using hand-axes and chisels. The bronze is then cast from the plaster. Here, the metal's rough-hewn surface accurately reflects the rugged contours of the plaster's exterior.
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