The Messenger of God Appearing to Joshua

Getty Museum

The Messenger of God Appearing to Joshua

Creator

Ferdinand Bol

Dutch Artist · 1616–1680

All works by this person →

A prosperous surgeon's son, Ferdinand Bol first studied locally in his native Dordrecht, and then became Rembrandt Harmensz. van Rijn's pupil in Amsterdam, where he settled. Bol witnessed a document concerning Rembrandt's wife Saskia's inheritance in 1640, a responsibility that suggests that by then Bol was probably no longer a student but a full-fledged assistant. After having risen quickly throu

More on Getty ULAN
Date
about 1640–1644
Medium
Pen and brown ink, brown and gray wash, and red, white and black chalk
Culture
Dutch
Department
Drawings
Institution
Getty Museum

Ferdinand Bol captured the dramatic moment in the Old Testament when Joshua "lifted up his eyes and saw a man standing over against him with his sword drawn in his hand." (Joshua 5:13) This figure, who identifies himself as a messenger of the Lord, brings God's instructions to Joshua, telling him to order his troops to march around the walled city of Jericho and destroy its inhabitants. Bol drew the messenger reaching out his hand, his piercing gaze fixed on Joshua off the sheet. Bol transformed the messenger from a prophet-like figure into one of supernatural dimensions. The man's heavenly aureole penetrates the surrounding shadows, rendered with tones of gray wash that intermingle with the white paper underneath. His flowing garments, drawn with loose, sketchy strokes, match his long hair and beard. The plain white texture of the paper forms the highlights on his robes, emphasizing the light that seems to isolate the figure from the darkness beyond.

The authoritative record is held by Getty Museum. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page
See at Getty Museum

Related across collections

Semantically similar works from Getty Museum and other institutions.