![A[uguste] Préault](https://media.getty.edu/iiif/image/3d9640be-36dd-4032-b217-51c738305ef3/full/808,/0/default.jpg)
Getty Museum
A[uguste] Préault
Creator
Nadar [Gaspard Félix Tournachon]French Photographer · 1820–1910
All works by this person →> The sun is only the practitioner, M[r]. Nadar is the artist who wants to give him some work. So wrote a critic of Gaspard Félix Tournachon in 1859. Tournachon's nickname, Nadar, derived from youthful slang, but became his professional signature and the name by which he is best known today. Poor but talented, Nadar began by scratching out a living as a freelance writer and caricaturist. His writi
More on Getty ULAN- Date
- 1854–1855
- Medium
- Salted paper print
- Culture
- French
- Department
- Photographs
- Institution
- Getty Museum
A favorably disposed nineteenth-century critic described the fiery sculptor Antoine Augustin Préault thus: "The fever of poetry, the drunkenness of beauty, the horror of vulgarity, and the madness of glory possessed and tormented Préault." Nadar's portrait captured the sculptor's turbulent energy through the tense twist of the pose. Préault's body turns to his right, his head slightly to the left, and his eyes farther to his left. His folded arms wrap around his body, momentarily holding in check his considerable physical and intellectual power, the better to be unleashed. By using strong overhead diagonal light to shape the large dome of the head and to cast half the face into shadow, Nadar emphasized the gravity of Préault's presence. Sitter and photographer produced a portrait that reveals the essence of the man rather than merely his appearance.
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