The Temptation of Saint Anthony

Getty Museum

The Temptation of Saint Anthony

Creator

Lelio Orsi

Italian Artist · 1511–1587

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Lelio Orsi studied with his painter father, but very early on he incorporated into his polished, illusionistic style the two influences that remained primary throughout his life: Giulio Romano's exaggerated movement and excitability and Correggio's poignant passion and vibrant way of seeing. By 1538 Orsi had moved to a larger nearby town, Reggio Emilia, where he painted many architectural facades

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Object Description · Getty Museum

Lurking in the shadows, grotesque monsters emerge to taunt Saint Anthony, attempting to impede his meditation. Grinning with satanic delight, the demons take human and raptor-like animal forms. Unperturbed, Saint Anthony continues to read his meditations. Divine light illuminates his figure, forming a bright halo around his head. He is identified by his three principle attributes: a tau cross (T), the pig behind him, and the crutch at his side. The tau, a symbol of immortality in ancient Egypt, was adopted by Alexandrian Christians and became known as the Egyptian cross. Anthony was born in Egypt in 251 AD. After his parents' death, he distributed his property among the poor and retired to the Egyptian desert to contemplate God in solitude. He remained there for fifteen years, during which time he began his legendary combat against the devil, withstanding a series of temptations, which according to Anthony's biographer, Saint Athanasius, took the form of demonic apparitions and erotic visions. Orsi shows the venerable saint, serene and resolute in his devotions, as an exemplum for all Christians in their meditations. Having successfully resisted evil, Saint Anthony emerged from the desert to instruct a group of hermits who sought to imitate his example. Thus he became the father of Christian monasticism, for which he is called Saint Anthony the Great or Saint Anthony Abbot. Lelio Orsi depicted this struggle between good and evil vividly using strong chiaroscuro (starkly contrasting light and shadow), and by rendering the grotesque features of the demons in loose, painterly brushstrokes, emphasizing their lack of humanity.

Getty Museum’s catalogue record

produced_by.carried_out_by[0].id
https://data.getty.edu/museum/collection/person/6ff9f678-0f11-499e-9968-ba5ed0ad1220
Artist/Maker
Lelio Orsi
subject_of[Homepage].id
https://www.getty.edu/art/collection/object/107RJN
Date
1570s
Medium
Oil on canvas
Culture
Italian
Object Type
Painting

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Open this page QR destination: https://linkedculture.org/q/q1.NcV-L_IzeSipc0iP.LTW2SVyjSYf_yBXpdc2FA0ueoZjtqPVPT41XUzPQ2jwd7T8qCi7kYnDxRhjH6C2VAW5iTVrRCj8ngE_ol8sMB7g-mB7SiwXCXl7bPpKWou2hXOcFAqQAfCLfGrndazR2O5MtoXAqbtqHQhagqi1WRr-uYsHpGcokb12BIH-eAa6lp15UGXVak4ZG7jqr5-3Qq5DyKc5rtQ_n-DtqyXm7IrT9hdObIhuYgjR02C1WKkhsXTUH1UoMmB19BncIBEe907pgUh6JYcGNTgP-m_9z-Knf-ZYyJvH046e7WyI31riv0ZTSCwxoKYv0PqZvPr1kglahetE5qNPunGZc7Ffn590ws0VIwNew6IPiYX55sy1AU-i7fvtXi7CCNcjHNHx5MXGrjPbbJAwHe84we4NTSee at Getty Museum QR destination: https://linkedculture.org/q/q1.IXLjTThQdMhWa0mL.5AGxXLOKshzFwDo25x26wpLZuln7gyZx_46fhNIQCH94O18ftYlxC7w0bV7Ttk91x6iAoJVNQalpQYkUIXvmQoJOZBNHdbo5k5Wy1GYVm0_7U6YkOciW0LLhTftIZdU0DxBSGzquudfNrpT4R5AyjDKKWVX2nxbwLeY2LLUe1uFNA4uHE66F1xDwjJ3qYVosFQuHebxXSBMNRi4xQIKR6EcPQ5oR3jnoW-SPGIKcZVOexr7uMXLqtaHEwBnhr3q8YajoctopjhjwidDTUqCYuhDcsK8PnIcOwdx-iyW2pBkW30qgebNt8CxaGKmbhDR3-66GDI5s7oO2LIMm-gKna7-diksqYCyR50WDi4LyXOhLR2KT9r0kjC5FAdU
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Object ID
e3741a9e-2ae3-46ed-ad8e-a9067a06f898
Object Type
Painting
  • Getty Museum field “Object Type” · copied as is
Creator
Lelio Orsi
  • Getty Museum field “Artist/Maker” · copied as is
Culture
Italian
  • Getty Museum field “Culture” · copied as is
Medium
Oil on canvas
  • Getty Museum field “Medium” · copied as is
Department
Paintings
  • Getty Museum field “Department” · derived by LinkedCulture from the museum field · Getty's classification category is stored as department.
Credit Line
The J. Paul Getty Museum, Los Angeles
  • Getty Museum field “Standard Credit Line” · the first available of several museum fields
  • Getty Museum field “Source Credit Line” · the first available of several museum fields
Date
1570s
  • Getty Museum field “Date” · copied as is
Begin Year
1570
  • Getty Museum field “produced_by.timespan.begin_of_the_begin” · derived by LinkedCulture from the museum field
End Year
1579
  • Getty Museum field “produced_by.timespan.end_of_the_end” · derived by LinkedCulture from the museum field

The museum’s own record has not been captured for this object yet, so the museum fields shown above are limited to values LinkedCulture stored unchanged.

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