Appalachia

Getty Museum

Appalachia

Creator

Milton Rogovin

American Photographer · 1909–2011

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Raised during the Great Depression, Milton Rogovin became politically active as a result of his impoverished childhood. He called himself a "social documentary photographer" and eventually devoted himself to photographing the segment of society he designated "the forgotten ones." Rogovin studied optometry at Columbia University, then opened a shop in Buffalo, New York, in 1938. He purchased his fi

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Date
1969
Medium
Gelatin silver print
Culture
American
Department
Photographs
Institution
Getty Museum
Object ID
eccc6421-8bdb-4e78-adfc-aa853eb2e0aa

>This was in Appalachia and the conditions there were extremely bad. You just had to look at some of these individuals, especially the children. There weren't many miners in those particular areas-the big mines had closed up. If we saw a group perhaps sitting on a porch or the kids wandering around, I would ask them if I could take their picture. > >--Milton Rogovin Over a period of nine years, Milton Rogovin and his wife Anne traveled to Appalachia each summer for working vacations. They visited and documented mining towns and communities. During the 1960s, Appalachia became the focus of international attention for its economic difficulties and the efforts of Presidents John F. Kennedy and Lyndon Johnson to bring relief. Simultaneously, information came to light about the mines' working conditions, from underground fires and explosions to black-lung disease. The Rogovins were well aware of these issues and decided to investigate for themselves. It is easy to notice what is most important to this home's occupants. A few possessions are lovingly arranged: twin frames with portraits of Jesus and Mary, a child's drawing of a bunny, a hinged frame with a woman's portrait and a picture of Jesus. On the table sit a white crocheted tablecloth, a can of tobacco, a Bible, and a record player. A little boy-presumably the son of a former coal miner-sits gazing at the camera with a wistful and wary stare.

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