The Deposition

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The Deposition

Creator

Vienna Master of Mary of Burgundy

Flemish Illuminator · 1470–1480

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Few artists of the 1400s have provoked more discussion and dissent among scholars than the artist once known as the Master of Mary of Burgundy, who was named for two manuscripts, one now in Vienna and the other in Berlin, made for duchess Mary of Burgundy. Current scholarship recognizes that the work seen in the Hours of Mary of Burgundy in Vienna should be attributed to a distinct artistic person

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Date
about 1471
Medium
Tempera colors, gold leaf, gold paint, silver paint, and ink
Culture
Flemish
Department
Manuscripts
Institution
Getty Museum

Immediately after the Crucifixion, Jesus' followers take his body down from the cross. Two men on ladders lower the body while Joseph of Arimathea, in his fur-trimmed robe, sways under the weight. The sumptuously dressed Mary Magdalene holds a ladder, while the more modestly dressed Virgin collapses on the ground with grief. At the foot of the cross, a skull identifies the site as the Mount of Golgotha. This moving image of the Deposition is attributed to the Vienna Master of Mary of Burgundy, an anonymous illuminator who collaborated on this prayer book for Charles the Bold. In the border, amidst lush vines, Adam and Eve mourn over the dead body of Abel on the lower left in an Old Testament episode, considered a prefiguration of the Virgin mourning over Jesus' body. The lion in the upper left may refer to Jesus as the Lion of Judah; it may also refer to the Resurrection, because, according to medieval legend, lion cubs were born dead but revived three days later when their father breathed into their faces. Conceived as a thematic whole, the miniature and border herald the service of Vespers in the Hours of the Passion.

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