![[The Hosainabad Emambara and Tomb of Mahomed Ali Khan, Lucknow]](/api/proxy-image?url=https%3A%2F%2Fmedia.getty.edu%2Fiiif%2Fimage%2Ff3c73a51-9fc4-4a50-a20d-c5d9cd10b226%2Ffull%2F808%2C%2F0%2Fdefault.jpg)
Getty Museum
[The Hosainabad Emambara and Tomb of Mahomed Ali Khan, Lucknow]
Creator
Felice BeatoPhotographer · 1832–1909
All works by this person →Felice Beato was the first photographer to devote himself entirely to photographing in Asia and the Near East. He photographed in Japan, India, Athens, Constantinople, the Crimea, and Palestine. He settled in Yokohama and from 1863 to 1877 made hundreds of ethnographic portraits and genre scenes in Japan. He eventually opened a furniture and curio business in Burma. Beato's photographic career was
More on Getty ULANObject Description · Getty Museum
Getty Museum’s catalogue record
- produced_by.carried_out_by[0].id
- https://data.getty.edu/museum/collection/person/76341c09-b1ac-4032-85c9-e2cda5493efc
- Artist/Maker
- Felice Beato
- subject_of[Homepage].id
- https://www.getty.edu/art/collection/object/107TDS
- Date
- 1858
- Medium
- Albumen silver print
- Culture
- English
- Object Type
- Print
Taken from LinkedCulture’s stored copy of Getty Museum’s record. A fresh capture of the museum’s own record has not been made for this object yet.
From LinkedCulture
This photograph captures the Hosainabad Imambara in Lucknow just months after the violent siege of 1857, frozen in an uneasy calm. Felice Beato's 1858 albumen silver print looks across a drained ornamental pool, lined with ceramic pots, toward the monument's ribbed central dome and dense arcade of cusped arches, with two small figures standing on the ornamental bridge ahead. Beato was among the first photographers to document the consequences of war on location, and this image helped shape how the British public visualized India in the aftermath of the uprising.
Written by LinkedCulture for its video on this object. Machine-generated (claude-sonnet-4-6), not yet reviewed by a person. It is not part of the museum’s record.
The authoritative record is held by Getty Museum. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata. The fields above are the museum’s, under its own labels. LinkedCulture’s derived fields are listed separately below and marked as ours.
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How LinkedCulture maps this record
To search objects from different museums together, LinkedCulture reads each museum’s record into a common set of fields. The values below are LinkedCulture’s, under LinkedCulture’s names. They are not Getty Museum’s wording; the museum’s own record is shown above under its own labels.
- Object ID
- eee76f7c-1f11-4d61-bf48-0f2bed521862
- Object Type
- Print
- Getty Museum field “Object Type” · copied as is
- Creator
- Felice Beato
- Getty Museum field “Artist/Maker” · copied as is
- Culture
- English
- Getty Museum field “Culture” · copied as is
- Medium
- Albumen silver print
- Getty Museum field “Medium” · copied as is
- Department
- Photographs
- Getty Museum field “Department” · derived by LinkedCulture from the museum field · Getty's classification category is stored as department.
- Credit Line
- The J. Paul Getty Museum, Los Angeles
- Getty Museum field “Standard Credit Line” · the first available of several museum fields
- Getty Museum field “Source Credit Line” · the first available of several museum fields
- Date
- 1858
- Getty Museum field “Date” · copied as is
- Begin Year
- 1858
- Getty Museum field “produced_by.timespan.begin_of_the_begin” · derived by LinkedCulture from the museum field
- End Year
- 1858
- Getty Museum field “produced_by.timespan.end_of_the_end” · derived by LinkedCulture from the museum field
The museum’s own record has not been captured for this object yet, so the museum fields shown above are limited to values LinkedCulture stored unchanged.
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