Portrait of a Young Man Seated at Table

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Portrait of a Young Man Seated at Table

Creator

Richard Beard

Daguerreotypist · 1801–1885

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In 1841, less than two years after the introduction of the daguerreotype process in France, Richard Beard, a coal merchant and entrepreneur, had built and was operating England's first rooftop daguerreian portrait studio. John Goddard, a science lecturer at London's Polytechnic Institution, located downstairs from the studio on Regent Street in London, served as daguerreotypist, the person who act

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Date
about 1852
Medium
Daguerreotype, hand-colored
Culture
British
Department
Photographs
Institution
Getty Museum

> In 1841, less than two years after the introduction of the daguerreotype process in France, Richard Beard, a coal merchant and entrepreneur, secured the sole patent for daguerreotypes in England, Wales, and the British colonies so that anyone who used the daguerreotype process in those countries was expected to pay Beard a license fee. That same year Beard opened England's first rooftop daguerreian portrait studio on Regent Street in London. The London newspaper *The Times* remarked favorably on the Beard studio's photographs: "The likenesses which we saw were admirable, and closely true to nature, beauties and deformities being exhibited alike." > > Beard's studio was a great financial success. In 1842 he opened a second studio at 34 Parliament Street and a third at 85 King William Street. In 1850, however, like many operators of photographic studios, he went bankrupt. In his case it was because of legal disputes over payment of the license fees required to practice daguerreotypy. Beard continued to sell photographs until 1857, when he passed the business on to his son. > > This portrait of a young man offers an excellent, well-preserved example of elaborate hand-coloring, an extremely popular practice. The sky, the sitter's vibrant cravat, detailed waistcoat and trousers, and the tablecloth have been delicately tinted to create the illusion of natural color. Although more affordable than a painted portrait, photographs were expensive for the average customer in the nineteenth century. Nevertheless, from the early years of photography, there was a tremendous market for photographic likenesses. Adapted from getty.edu, Interpretive Content Department, 2008; with additions by Carolyn Peter, Department of Photographs, J. Paul Getty Museum, 2019.

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