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Cupid Overpowering Pan (recto); Head of a Monk; Caricature of a Man in Profile (verso)

Creator

Italian Artist · 1557–1602

The Carracci drew constantly. When Agostino, his brother Annibale, and their cousin Lodovico sat down to meals, they held bread in one hand and charcoal in the other. As often as not, they poked fun at each other and people on the street. Thus, true caricature developed; an early example can be traced directly to Agostino. In 1582, the Carracci founded the *Accademia degli Incamminati* (Academy of

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Date: about 1590
Medium: Black and white chalk (recto); black chalk (verso), on light blue paper
Culture: Italian
Department: Drawings
Institution: Getty Museum

In the early 1590s, Agostino Carracci, his brother Annibale, and their cousin Ludovico decorated a number of rooms in Bologna's Palazzo Magnani; many of their works are still in place. Agostino Carracci made this drawing as a study for the fresco over a fireplace. The story of Cupid's conquest of the Greek god Pan demonstrated the triumph of love over lust and illustrated Virgil's dictum, "Omnia vincit Amor" (Love conquers all). Carracci made the study on the verso for the head of the priest in his painting of the *Last Communion of Saint Jerome* of about 1589. The soft modeling, the extreme foreshortening of Cupid's head, and the use of chalk on blue prepared paper show his interest in Venetian art.

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