
Getty Museum
Christ on the Cross with the Virgin Mary, Mary Magdalene, and Saint John
Creator
Pietro da CortonaItalian Artist · 1596–1669
All works by this person →In combining architecture, painting, and sculpture to act on viewers' emotions, Pietro da Cortona was the quintessential practitioner of the High Baroque style. Born in Cortona, he studied in Florence and then Rome, learning to paint primarily by teaching himself. Painter, architect, and sculpture designer, the energetic Pietro always worked simultaneously on architectural and decorative projects.
More on Getty ULAN- Date
- about 1661
- Medium
- Pen and brown ink and gray wash over black chalk, heightened with white gouache,, on light brown paper, squared in black chalk; the oval only reinforced in red chalk
- Culture
- Italian
- Department
- Drawings
- Institution
- Getty Museum
This highly finished study depicts the crucifixion of Christ. Mourning him are the Virgin Mary, Saint John the Evangelist, and Mary Magdalene. Strong diagonals, animated gestures, fluttering drapery, and gray-brown wash with white heightening vividly express the dramatic moment. The opaqueness of the white bodycolor allowed Pietro da Cortona to conceal some of his earlier attempts at drawing the figures, especially that of Saint John, who is bordered by an area of white that covers earlier positions for the right and left arms, the head, and left leg. The drawing was a preparatory study for a painting Pietro da Cortona made for the high altar of the church of San Tommaso di Villanova in Castelgandolfo outside Rome. The oval painting was commissioned by Pope Alexander VII and corresponds closely to this finished study. The grid lines indicate that the drawing was squared, a method of preparing a composition for transfer to a larger surface.
The authoritative record is held by Getty Museum. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Get printable QR codesHide QR codes
Open QR codes for this object page and the museum record. They stay collapsed until needed.
Related across collections
Semantically similar works from Getty Museum and other institutions.