Betty in her Attic

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Betty in her Attic

Creator

Edward Weston

American Photographer · 1886–1958

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Artist

> To clearly express my feeling for life with photographic beauty, present objectively the texture, rhythm, form in nature, without subterfuge or evasion in technique or spirit, to record the quintessence of the object or element before my lens, rather than an interpretation, a superficial phase, or passing mood--this is my way in photography. It is not an easy way. > > --Edward Weston In the spri

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Date
1920
Medium
Palladium print
Culture
American
Department
Photographs
Institution
Getty Museum
Object ID
ffcae6a7-84bb-4aaf-b127-2a58bf84b926

> In 1920 Edward Weston began a creative series of pictures made in his friends' attics. Reactions to these images were mixed. Imogen Cunningham (1883-1976), one of Weston's friends and fellow photographers, wrote glowingly of one in a letter addressed to him, “It has Paul Strand's eccentric efforts, so far as I have seen them, put entirely to shame, because it is more than eccentric. It has all the cubistically inclined photographers laid low. It is a most pleasing thing for the mind to dwell on, the mind I say and mean, not the emotions or fancies. It is literal in a most beautiful and intellectual way.” A critic writing in *Pictorial Photography*, however, was not so taken: “Queerness for its own sake must have obsessed Edward Weston when he recorded the stiff and angular lines in *Betty in Her Attic . . .* , although there is no denying the truth and beauty of tones of the floors and walls. But the position of the girl!—is there not a touch of cussedness in that?” > > The “girl” pictured is Betty Katz (later Brandner, 1895-1982), who was introduced to Weston by his colleague Margrethe Mather (1886-1952). Weston and Katz engaged in a brief affair in October 1920, when he made this and several other images of her in her attic and out on a balcony (see [85.XM.170.2](http://www.getty.edu/art/collection/objects/53486/edward-weston-betty-brandner-american-1920/), [85.XM.170.3](http://www.getty.edu/art/collection/objects/53487/edward-weston-betty-katz-los-angeles-american-1920/), [85.XM.170.8](http://www.getty.edu/art/collection/objects/53492/edward-weston-betty-katz-los-angeles-american-1920/), [85.XM.170.10](http://www.getty.edu/art/collection/objects/53494/edward-weston-betty-katz-los-angeles-american-1920/), [85.XM.170.11](http://www.getty.edu/art/collection/objects/53495/edward-weston-betty-katz-los-angeles-american-1920/), [85.XM.170.12](http://www.getty.edu/art/collection/objects/53496/edward-weston-betty-katz-los-angeles-american-1920/)). This particular photograph is part portrait and part compositional experiment with Weston's growing interest in the formal concerns of Modernism. Katz is shown tucked into a network of large intersecting planes made up of the attic's floor, walls, and dormers and articulated in varying shades by light entering an unseen window on the right. > > Adapted from Brett Abbott. *Edward Weston*, In Focus: Photographs from the J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 2005), 20. ©2005, J. Paul Getty Trust.

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