Madame is not in! Good Lord! ... do you have 100 sous?, p. 113

Harvard Art Museums

Madame is not in! Good Lord! ... do you have 100 sous?, p. 113

Paul Gavarni

Date
1853
Medium
Lithograph
Culture
French
Department
Department of Prints
Institution
Harvard Art Museums

The authoritative record is held by Harvard Art Museums. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Related across collections

Semantically similar works from Harvard Art Museums and other institutions.

Come on! Madame Highness, just between us does Monsieur respect himself so much that he wouldn't give Madame a blow? p. 9

Come on! Madame Highness, just between us does Monsieur respect himself so much that he wouldn't give Madame a blow? p. 9

Harvard Art Museums

“- Oysters at 25 sous a dozen, horrible!... Even if you gave me 100 sous to eat half a dozen, I would not allow myself such an expense,” plate 18 from Actualités

“- Oysters at 25 sous a dozen, horrible!... Even if you gave me 100 sous to eat half a dozen, I would not allow myself such an expense,” plate 18 from Actualités

Art Institute of Chicago

On lit le roman. Madame est sortie (IFF 1)

On lit le roman. Madame est sortie (IFF 1)

Musée Carnavalet, Histoire de Paris

"Madame" chez Suzy

"Madame" chez Suzy

Musée d’Art moderne de Paris

5. / Ah !... Mademoiselle XX a mis sa robe de Néophyte ! [...]

5. / Ah !... Mademoiselle XX a mis sa robe de Néophyte ! [...]

Musée Carnavalet, Histoire de Paris

Quand on a du Guignon n°3 : Non, madame, je ne vous quitterai pas...

Quand on a du Guignon n°3 : Non, madame, je ne vous quitterai pas...

Musée Carnavalet, Histoire de Paris

How is Madame? Thank you and yours?, p. 145

How is Madame? Thank you and yours?, p. 145

Harvard Art Museums

“You tramp! I would like to see you drown in your beer! Leaving me alone like that with my three children, he gives me twelve sous, and when he comes back in the evening, he asks for his change!,” plate 48 from Moeurs Conjugales

“You tramp! I would like to see you drown in your beer! Leaving me alone like that with my three children, he gives me twelve sous, and when he comes back in the evening, he asks for his change!,” plate 48 from Moeurs Conjugales

Art Institute of Chicago

Embarcation of a Lady. “Get in without fear Miss Josephine....You don't have to be afraid from neither the current nor the boatmen... they are all Frrrrrench.... we actually wanted to salute you with 101 canon shots, but we didn't get the authorization from the Government!...,” plate 15 from Les Canotiers Parisiens

Embarcation of a Lady. “Get in without fear Miss Josephine....You don't have to be afraid from neither the current nor the boatmen... they are all Frrrrrench.... we actually wanted to salute you with 101 canon shots, but we didn't get the authorization from the Government!...,” plate 15 from Les Canotiers Parisiens

Art Institute of Chicago

“- Say then, Madme. Giboulard … don't you agree that it is not very pleasant for women of our gender, to come down like this everyday, cleaning the gutters of St. Honoré … - That's true, Madame Chaffarou, but we can also praise ourselves of being the only ones to embellish Paris!,” plate 75 from Caricatures Du Jour

“- Say then, Madme. Giboulard … don't you agree that it is not very pleasant for women of our gender, to come down like this everyday, cleaning the gutters of St. Honoré … - That's true, Madame Chaffarou, but we can also praise ourselves of being the only ones to embellish Paris!,” plate 75 from Caricatures Du Jour

Art Institute of Chicago

Ah! madame, ... vous venez de nous jouer [...].

Ah! madame, ... vous venez de nous jouer [...].

Musée Carnavalet, Histoire de Paris

Madame!... Madame!... Un billet de bal, pour un baiser de vous. [...] / 21.

Madame!... Madame!... Un billet de bal, pour un baiser de vous. [...] / 21.

Musée Carnavalet, Histoire de Paris