davier

In Tangiers. “- Sublime Majesty... the Spanish are coming... in order to frighten them off I took the liberty to fully open your umbrella as a sign of your greatness! - Leave me alone with my umbrella, Belboul.... I would rather like to have an umbrella protecting me from their bullets,” plate 115 from Actualités

Art Institute of Chicago

Rue Transnonain, April 15, 1834

Cleveland Museum of Art

A Boat-Manoeuvre. The Captain yelling in his trumpet: “- Gabier! There is a squall building up, get ready!..... Clew up all the sails!... That's good:.... very good! - Why didn't you say that to me calmly instead of poking this huge instrument into my ear! Now I am so deaf, I can't see clearly anymore!...,” plate 9 from Les Canotiers Parisiens

Art Institute of Chicago

Monsieur Daumier, votre série... est... charmante... (Robert Macaire), from Le Charivari

Minneapolis Institute of Art

Menagere et enfants rentrant du lavoir

Minneapolis Institute of Art

La Tentation du Nouveau Saint Antoine (Le Dr. Veron)

Minneapolis Institute of Art

Saprelotte! si les femmes continuent à porter des jupons en acier, . . . (Actualités), from Le Charivari

Minneapolis Institute of Art

La partie de volant (Actualités), from Le Charivari

Minneapolis Institute of Art

Decret de la commune and Projet Dufaure, Aritrage amiable. (Question des Loyers) from Le Charivari

Minneapolis Institute of Art

A Candidate. “Who do you want?... An upright, conscientious, sober man, an industrialist, a man who doesn't need the government to enrich himself, a man familiar with the law, who knows it well, through practice, very long practice... a long practice of law... you can't choose any better than... my honorable friend,” plate 48 from Caricaturana

Art Institute of Chicago

The usefulness of the crinoline when cheating the customs, plate 414 from Actualités

Art Institute of Chicago

Le danseur qui se pique d'avoir. . . (Croquis Dramatiques), from Le Charivari

Minneapolis Institute of Art