
Minneapolis Institute of Art
Jan Antonides van der Linden
Rembrandt van RijnLinkedCulture matchlcp-d6807541bb3d
- Date
- 1665
- Medium
- Etching, drypoint and engraving
- Department
- European Art
- Institution
- Minneapolis Institute of Art
- Object ID
- 108011
What the image shows
A man in a dark suit and white collar stands with his hands clasped in front of him.
Generated by LinkedCulture from the photograph alone, without the museum’s catalogue text (Qwen/Qwen2.5-VL-7B-Instruct), and not yet reviewed by a person. It describes the picture, not the object’s history, and it is not part of the museum’s record.
From the Minneapolis Institute of Art record
Rembrandt had essentially retired from printmaking in 1661, but four years later he received a commission to engrave a frontispiece for a commentary on Hippocrates written by the physician Jan Antonides van der Linden. The author had died the previous year. The publisher Daniel van Gaesbeecq sought an engraver to make a reproduction of a portrait previously painted by Abraham van den Tempel. Rembrandt’s son told the publisher that his father was the man for the job, but Rembrandt was anything but a conventional engraver. Following his familiar old ways, Rembrandt produced an etching heavily augmented by drypoint. Clearly unsuitable for printing in quantity, the plate was never used for the book, and so far as we know Rembrandt never again etched another plate. Netherlands, Europe
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Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- Gift of Ruth and Bruce Dayton
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