Hercules

Minneapolis Institute of Art

Hercules

Guercino (Giovanni Francesco Barbieri)LinkedCulture matchlcp-263676450640

Date
1641–42
Medium
Pen and brown ink
Department
European Art
Institution
Minneapolis Institute of Art
Object ID
116123

From the Minneapolis Institute of Art record

The lion skin around Hercules’ shoulder and waist is a tour de force, drawn with long, seemingly formless pen strokes that abstract and utterly enervate the once fierce beast. By contrast, the hero’s facial features are described with short, tight strokes, producing a superb character study of roughened, hard-bitten, stubborn manliness. Such handling explains why Guercino is among the most celebrated draftsmen of the seventeenth century. He drew frequently, instinctively, and compulsively, using his quill pen to visualize, to think, to problem solve, to invent. He kept his drawings largely to himself in his lifetime, producing thousands for his own artistic purposes and enjoyment. Only after his death were they to become the prized works of collectors. Italy, Europe

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Provenance & credit

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Credit line
The John E. Andrus III Endowment Fund, the Driscoll Art Accessions Endowment Fund, the Winton Jones Endowment Fund for Prints and Drawings, the Richard Lewis Hillstrom Fund, the Barbara S. Longfellow Fund for Works on Paper, and gift of funds from Chichi Steiner, the Jacqueline Nolte Jones Foundation, B. Franklin Rassieur, Jr., Tom Rassieur, and an anonymous donor

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