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From the Minneapolis Institute of Art record

The focus of the painting is the man with a young boy standing next to a peach tree, apparently on a fishing expedition, since the man holds a fishing basket behind him and the boy carries a fishing rod. The elements typically seen in paintings of the traditional Peach Blossom Spring theme—peach trees in bloom, a fisherman—are all present in Qian Hui’an’s painting, but he has recombined them to suggest a quite different and more down-to-earth narrative of leisure, in which a man takes his son fishing. Formally, the composition has a typically late nineteenth-century flatness which comes, in part, from the fact that the composition is boldly divided in two on the diagonal, with all the action taking place in one triangular half. Also contributing to the effect is the way that the fishing rod repeats the line of the cliff, bringing foreground and middle ground together. Finally, the twin peach trees echo the two figures, introducing another element of repetition, again pulling the eye laterally across the picture’s surface. China, Asia