
Minneapolis Institute of Art
Streetfront and Signs, Beaufort, South Carolina
Walker Evans
- Date
- 1936
- Medium
- Gelatin silver print
- Department
- Arts of the Americas
- Institution
- Minneapolis Institute of Art
During the Great Depression, Walker Evans recorded the plight of the rural poor while employed by the U.S. Farm Security Administration between 1935 and 1937. He traveled from Pennsylvania and West Virginia to Georgia and Mississippi, photographing people and places from coal miners and sharecroppers to dilapidated houses, churches, and storefronts. Here the photographer directs his gaze at the American vernacular tradition of signs and built environments in a deadpan and emotionally detached style. United States, Americas
The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Minneapolis Institute of Art and other institutions.

Floyd and Lucille Burroughs, Hale County, Alabama
Getty Museum

Penny Picture Display, Savannah / Photographer's Window Display, Birmingham, Alabama / Studio Portraits, Birmingham, Alabama
Getty Museum

Allie Mae Burroughs, Wife of a Cotton Sharecropper, Hale County, Alabama
Minneapolis Institute of Art
Penny Picture Display, Savannah
Art Institute of Chicago

For Walker Evans and James Agee, Knoxville, Tennessee
Getty Museum

St. Martins
Getty Museum

Country Church near Beaufort, South Carolina
Minneapolis Institute of Art
![[Wood Shingles]](https://media.getty.edu/iiif/image/9c9707ce-177b-45f5-99f5-57bbe03f57cb/full/808,/0/default.jpg)
[Wood Shingles]
Getty Museum

St. Martins
Getty Museum

Mississippi
Getty Museum

Havana Corner
Getty Museum

Trailer in Camp, Sarasota
Getty Museum