
Minneapolis Institute of Art
Landscape after Mi Fu; Summer, from a set of Landscapes of the Four Seasons
Fukuda KodōjinLinkedCulture matchlcp-2c3f9e48e5ed
- Date
- Autumn 1929
- Medium
- Hanging scroll, ink on silk
- Department
- Asian Art
- Institution
- Minneapolis Institute of Art
- Object ID
- 118013
This summer landscape shows several architectural structures—a Buddhist temple, indicated by the upper floors of a pagoda, a small village surrounded by pine trees, and an isolated pavilion in the foreground—all tucked into a landscape of misty peaks. Kodōjin created these rounded mountains by applying hundreds of dots in several tones of ink to the surface of the silk. This type of texturing of the mountains is commonly known as “Mi dots, ” a reference to the ancient Chinese painter Mi Fu (1051–1107), who developed this particular style, to which Kodōjin returned again and again throughout his career. Japan, Asia
The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Get printable QR codesHide QR codes
Open QR codes for this object page and the museum record. They stay collapsed until needed.
Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- Gift of the Clark Center for Japanese Art & Culture; formerly given to the Center by Elizabeth and Willard Clark
Related across collections
Semantically similar works from Minneapolis Institute of Art and other institutions.