Landscape after Mi Fu; Summer, from a set of Landscapes of the Four Seasons

Minneapolis Institute of Art

Landscape after Mi Fu; Summer, from a set of Landscapes of the Four Seasons

Fukuda KodōjinLinkedCulture matchlcp-2c3f9e48e5ed

Date
Autumn 1929
Medium
Hanging scroll, ink on silk
Department
Asian Art
Institution
Minneapolis Institute of Art
Object ID
118013

This summer landscape shows several architectural structures—a Buddhist temple, indicated by the upper floors of a pagoda, a small village surrounded by pine trees, and an isolated pavilion in the foreground—all tucked into a landscape of misty peaks. Kodōjin created these rounded mountains by applying hundreds of dots in several tones of ink to the surface of the silk. This type of texturing of the mountains is commonly known as “Mi dots, ” a reference to the ancient Chinese painter Mi Fu (1051–1107), who developed this particular style, to which Kodōjin returned again and again throughout his career. Japan, Asia

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Credit line
Gift of the Clark Center for Japanese Art & Culture; formerly given to the Center by Elizabeth and Willard Clark

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