
Minneapolis Institute of Art
Hwamei on Terminalia Branch
Sheikh Zain al-DinLinkedCulture matchlcp-d71052cf9c0c
- Date
- 1780
- Medium
- Opaque colors on paper Clark #2012-3-1
- Department
- Asian Art
- Institution
- Minneapolis Institute of Art
- Object ID
- 118878
From the Minneapolis Institute of Art record
The famed ‘Impey Album, ’ to which these 11 natural history studies originally belonged, marks the beginning of a new school in the canon of Indian Painting: that is “Company Painting’’—so called after the British East India Company, which by 1757 had taken effective rule over the sub-continent—spanning from c. 1760-1880 and distinguished by native painters adapting to the needs of Colonial tastes. The result was an emergence of a distinctive Anglo-Indian aesthetic, which we see in the remarkable paintings here. Between 1777-1783, Lady Mary Impey, wife of the recently appointed Chief Justice of Bengal, Sir Elijah Impey, commissioned three artists: a Muslim, Shaik Zain ud-Din, and two Hindus, Bhawani Das and Ram Das (all of whom trained in a Provincial Mughal atelier in the neighboring city of Patna) to record the newfound wonders of her Calcutta aviary and menagerie. Asia
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Provenance & credit
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- Credit line
- Gift of Elizabeth and Willard Clark
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