
Minneapolis Institute of Art
Minamoto Toshiyori
JapanLinkedCulture matchlcp-9cfc54f21d2c
- Date
- 17th century
- Medium
- Hanging scroll, ink and color on paper (painting), ink and gold on paper (poem card)
- Department
- Asian Art
- Institution
- Minneapolis Institute of Art
- Object ID
- 122079
From the Minneapolis Institute of Art record
Before the Edo period (1603–1868), poetry writing was largely an elite activity. The extended period of peace during this era allowed non-elites like the merchant and farmer class to enjoy leisure activities, which often trickled down from the aristocracy. Because of their courtly origins, many of the respected classical poems were by aristocrats from the past, such as Minamoto Shunrai (1055–1129), also known as Toshiyori. His verses circulated in the form of printed poetry anthologies. Similar to the poet portraits in One Hundred Poets, Shunrai sits alone in an empty space, accompanied by his poems above. The painter imagined him as an old wrinkled man contemplating his next composition, in contrast to the idealized portraits in One Hundred Poets. The top of this painting features two shikishi poetry cards in pink and white, adorned with a dusting of gold. His poem reads: Many currents branch out from a tumbling cascade of a waterfall. Rocks stand in the midst of waves formed by rapid flows, which become an eternal river. Japan, Asia
The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Get printable QR codesHide QR codes
Open QR codes for this object page and the museum record. They stay collapsed until needed.
Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- Mary Griggs Burke Collection, Gift of the Mary and Jackson Burke Foundation
Related across collections
Semantically similar works from Minneapolis Institute of Art and other institutions.