Actors Nakamura Utaemon III as Mino no Shōkurō, Ichikawa Ebijūrō I as Gantetsu, actually Miura Arajirō, and Nakamura Karoku I as the Courtesan Hinazuru, actually Shōkurō’s wife Kochō

Minneapolis Institute of Art

Actors Nakamura Utaemon III as Mino no Shōkurō, Ichikawa Ebijūrō I as Gantetsu, actually Miura Arajirō, and Nakamura Karoku I as the Courtesan Hinazuru, actually Shōkurō’s wife Kochō

Hokushū 北洲; Publisher: Izutsuya Denbei

Date
c. 1823, 1st month
Medium
Woodblock prints (nishiki-e), ink and color on paper with mica
Department
Asian Art
Institution
Minneapolis Institute of Art

Related to the play Keisei Ōmonguchi けいせい廓大門 (The Great Gate of the Licensed Quarter), performed at the Kado Theater, Osaka, in the 1st month of 1823 (Bunsei 6). This unusual two-tier triptych (a set of three works meant to be shown together) depicts a scene in the play Keisei Ōmonguchi ( The Great Gate of the Licensed Quarter ). Instead of the typical configuration with all three sheets lined up horizontally, the third sheet is placed on top of the other two. An arrangement like this was rarely used but was ideal for plays in which the setting was a multilevel architectural space like this one. The actor on the upper floor writes a message to the two actors below by pouring ink from above. Hokushū was the most active and most important designer of Kabuki prints in Osaka in the early 1800s. He developed the specific style of actor portrait known as kamigata-e , which became characteristic for the region of Osaka and Kyoto. Japan, Asia

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