Picture of Odai Matarokurō Setting His Own Castle on Fire, Calmly Entering the Fiery Pit and Dying; Enemy Troops Were Amazed at His Bravery

Minneapolis Institute of Art

Picture of Odai Matarokurō Setting His Own Castle on Fire, Calmly Entering the Fiery Pit and Dying; Enemy Troops Were Amazed at His Bravery

Tsukioka Yoshitoshi; Publisher: Tsujiokaya Bunsuke; Carver: Watanabe Eizō ILinkedCulture matchlcp-bcc6aa700c50

Date
1866, 12th lunar month
Medium
Woodblock print (nishiki-e), ink and color on paper
Department
Asian Art
Institution
Minneapolis Institute of Art
Object ID
127805

From the Minneapolis Institute of Art record

In this fiery scene, “Odai Matarokurō” stands upright, as rigid as a statue, while dense flames engulf him from behind. His enemies fall backward as if pushed by the wind feeding the fire; others run away in fear. Although the rectangular cartouche at the upper right identifies the burning man as “Odai Matarokurō, ” he might in fact be Oda Nobunao, the husband of Oda Nobunaga’s sister. Yoshitoshi often used pseudonyms to circumvent government censorship; his depiction of certain historical figures and events could have been construed as supporting opponents of the Tokugawa ruler. Japan, Asia

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Provenance & credit

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Credit line
The Mary Griggs Burke Endowment Fund established by the Mary Livingston Griggs and Mary Griggs Burke Foundation, gifts of various donors, by exchange, and gift of Edmond Freis in memory of his parents, Rose and Leon Freis

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