
Minneapolis Institute of Art
Plate 4, from The Song of Solomon
Claes Janz. Visscher II; after Maarten de Vos
- Date
- 1643
- Medium
- Etching
- Department
- European Art
- Institution
- Minneapolis Institute of Art
The Risen Christ sits in a vineyard with an elaborately dressed woman who wears a crown and appears to symbolize the Catholic Church or simply Faith. We know he is the risen Christ because of the nail wounds in his hands and foot. He points up the the docve of the Holy Spirit. The woman looks up, away from the open book on her lap, to see the dove. Netherlands, Europe
The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Minneapolis Institute of Art and other institutions.

Plate 6, from The Song of Solomon
Minneapolis Institute of Art

Plate 3, from The Song of Solomon
Minneapolis Institute of Art

Plate 2, from The Song of Solomon
Minneapolis Institute of Art

Plate 5, from The Song of Solomon
Minneapolis Institute of Art
The Judgment of Solomon
Art Institute of Chicago
The Raising of Lazarus: The Larger Plate
Art Institute of Chicago

Solomon's Idolatry
Minneapolis Institute of Art

Solomon's Idolatry
Minneapolis Institute of Art
Christ Before Pilate: Large Plate
Art Institute of Chicago

The Judgment of Solomon
Minneapolis Institute of Art

Christ Presented to the People (Ecce Homo)
Minneapolis Institute of Art

The Resurrection of Christ
Cleveland Museum of Art