Maharana Sangram Singh II Performing Puja Before a Statue of Krishna

Minneapolis Institute of Art

Maharana Sangram Singh II Performing Puja Before a Statue of Krishna

Workshop: Mewar (Udaipur) workshopLinkedCulture matchlcp-0f70436e8554

Date
c. 1725
Medium
Opaque watercolor heightened with gold on paper
Department
Asian Art
Institution
Minneapolis Institute of Art
Object ID
144058

From the Minneapolis Institute of Art record

In this splendid, large scale palace scene produced at the court of Udaipur (Mewar), we see Maharana Sangram Singh II (r. 1710-1734) and his conclave of courtiers and harem worshiping an image of Krishna during the festival of Janmashtami (Krishna’s Birthday). With a shift towards capturing topographical vistas and the plentitude of palace life, artists during this period were especially innovative for imbuing a range of “sensory experiences” into their compositions, introducing “an entirely new and immersive art form” (Dimond and Khera, 2022, pg. 29) in the history of Indian courtly painting. Sangram Singh II is especially remembered for bringing the tradition of pictorial narrative of courtly events to opulent heights, and this gleeful painting ranks among his most intimate. Here, he depicted three times: in the rear center of the courtyard worshiping an image of Krishna; dancing with a group of courtiers on the left; and then pouring yellow liquid from a pot on other attendants. The powdery yellow liquid in the pots represent clarified butter (ghee), Lord Krishna’s favorite treat as a child. Asia

The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page QR destination: https://linkedculture.org/q/q1.meGmGZ1n42tx5y5O.WDshP66fnAxlzig65M2llJmsuKb3YjiddpWfBSC8kDfjI3VGFpfK45bL32c1um9Omcx_ahLuIA1BgNZGnzaWhEct7FMZZgLQaw0E716c9VwGMvhf-q6SbYbeJBO9vryKr7fzxJmiEAw4qh4nTJz-aTYFl-U72k2B8XNDZDypq_5BXurhtvrG5yrGD4oPS_Xad4qnwU8P4bU1czKSdVgF179DPly5FcOfJHmwuMOzHCSyfPyITTqeTucqW2VqLADiat_ueu10fO72-BRoJASee at Minneapolis Institute of Art QR destination: https://linkedculture.org/q/q1.LpJqlb9gVsRE9IcN.Zj5GAJOkMcD1ixqg-xeQ-pjMNMpL7sPvvL-6XRd07A3DztGghKrWvGkZVIRLi8DlTa8JypTvZe6yhHZ3yS1Y75jKSInSBWi8JS7eggw38Ox74sJAJJiA1Efp2PcZC8wqHJVWrWjG2V5msuZXwh6ii5zmxXAT6i6bca8-8FFgYIYu1dEfEI_KIunIzc49cN9K8pS8CK7IuBuem0HINAH2b7sxkc8axMHzQiU7TP7YEmuQKiqmgdQSRBuucuQZ95X5gEzxsrD4IGwolWo8YnW25qdA
Open this page
See at Minneapolis Institute of Art

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
The William Hood Dunwoody Fund and the Jane and James Emison Endowment for South Asian and Indian Art

Related across collections

Semantically similar works from Minneapolis Institute of Art and other institutions.