
Minneapolis Institute of Art
Saint Paul
Vincenzo Foppa
- Date
- c. 1460
- Medium
- Tempera on panel
- Department
- European Art
- Institution
- Minneapolis Institute of Art
Saint Paul and Saint Sirus are panel paintings likely from the same large altarpiece. Panel painting was a lengthy process that required many steps. The panel is a plank of wood that was prepared with many layers of gesso, a glue-size-chalk substance that forms the white base layer of the paintings. Gesso is also used to create the raised areas, or pastiglia , seen in each painting: the top of staff and edges of the headpiece in Saint Sirus and areas on the hilt of the sword in Saint Paul . Red bole, a size-clay mixture, was added to areas that were to be gilded with gold leaf. The final step was painting the figures in numerous layers of egg tempera, a paint made of ground pigments, water, and egg yolk. Italy, Europe
The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Minneapolis Institute of Art and other institutions.

Saint Sirus
Minneapolis Institute of Art
The Conversion of Saint Paul
Art Institute of Chicago

Saint Luke
Getty Museum

De geseling van Christus
Rijksmuseum

Saint Paul
Getty Museum
Panels from the Altarpiece of The Assumption of the Virgin with Saints: Saint Giustina of Padua
Art Institute of Chicago
Half-length Figure Study for Saint Paul
Art Institute of Chicago
Panels from the Altarpiece of The Assumption of the Virgin with Saints: Bishop Saint
Art Institute of Chicago
Panels from the Altarpiece of The Assumption of the Virgin with Saints: Bishop Saint
Art Institute of Chicago
Saint Paul
Art Institute of Chicago
Panels from the Altarpiece of The Assumption of the Virgin with Saints: Saint Nicholas of Tolentino
Art Institute of Chicago

Saint Paul
Getty Museum