Minneapolis Institute of Art

Fancy-free Type

Date

1792–93

Medium

Woodblock print (nishiki-e), ink and color on paper with mica

Department

Asian Art

Institution

Minneapolis Institute of Art

After producing a few successful books, Utamaro and the publisher Tsutaya launched an innovative type of bijin-ga (pictures of beautiful women) series. It was the first to feature women in half-length portraits, a format previously reserved for yakusha-e (actor prints). It was also the first attempt by an ukiyo-e artist to represent the individuality of women. Except for the most famous prostitutes, print designers tended to depict women as stereotypes of femininity. Utamaro’s close-up portraits straightforwardly captured the facial expressions of his models, vividly evoking their personalities despite their anonymity. The woman shown here is identified on the print as the “fickle type.” To convey that quality, Utamaro has her casting a glance over her shoulder, hoping to catch the eye of an interested suitor as she returns, careless and disheveled, from the bath. Japan, Asia

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