
Minneapolis Institute of Art
Mariko
Utagawa Hiroshige; Publisher: Sanoya Kihei
- Date
- c. 1840–42
- Medium
- Woodblock print (nishiki-e), ink and color on paper
- Department
- Asian Art
- Institution
- Minneapolis Institute of Art
The Tōkaidō was the main arterial road that connected Edo (present-day Tokyo) with Kyoto. As a result of the increasing travel boom in the late eighteenth and early nineteenth century, the road and its post stations became a popular motif in literature and art. Hiroshige emerged as the foremost designer of Tōkaidō landscape series, producing over twenty different ones. The novelty of this particular series is that each scenic view is accompanied by a comic poem ( kyōka ), and the series therefore became known as the Kyōka Tōkaidō . Each print focuses on a famous scenic view or a local specialty; here it is grated yam soup ( tororo jiru ), served at a popular restaurant that was used as resting stop by porters and travelers. Hiroshige cleverly inserted “product placements” inside the restaurant that would not have been there in reality. They are for the face powder Senjōko, sold by one Mr. Sakamoto in Edo, and for an array of woodblock prints presumably sold by the publisher of this print. Japan, Asia
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No. 21, Mariko: Selling the Famous Yam Soup at the Station (Mariko, Ekichū meibutsu tororojiru o hisagu), from the series Famous Sights of the Fifty-three Stations (Gojūsan tsugi meisho zue), also known as the Vertical Tōkaidō
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