
Minneapolis Institute of Art
Mask
Tabwa artist
- Date
- second quarter of 20th century
- Medium
- Glass beads, feathers, raffia, cloth, animal skin
- Culture
- Tabwa
- Department
- Arts of Global Africa
- Institution
- Minneapolis Institute of Art
In the past (and maybe still today), medium diviners among the Tabwa people were possessed by spirits, which enabled them to seek explanations and cures for illness and other misfortunes. This process of enlightenment was called “the rising of the moon, ” an expression referring to the dawning of light and hope after a period of darkness. Tabwa artists graphically rendered this concept as a series of dark and light interlocking triangles, a very common motif that was incised as scarification on people’s bodies, braided into hairdos, woven into baskets, and engraved into metal bracelets. It is also visible on this diviner’s mask. Democratic Republic of the Congo, Zambia, Africa
The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Minneapolis Institute of Art and other institutions.

Male figure (one of a pair)
Minneapolis Institute of Art

Mask
Minneapolis Institute of Art

Mask (Emangungu)
Cleveland Museum of Art

Mask
Minneapolis Institute of Art

Mask
Minneapolis Institute of Art

Plank Mask
Minneapolis Institute of Art

Mbambi Mask
Minneapolis Institute of Art

Mask (ndeemba)
Cleveland Museum of Art

Initiation mask
Minneapolis Institute of Art

Mask (Bwoom)
Cleveland Museum of Art

Face Mask (Agboho mmuo)
Cleveland Museum of Art

Mask (Omono or Tana Wurum Bogoro)
Cleveland Museum of Art