
Minneapolis Institute of Art
Ceremonial overskirt (aksu)
Aymara artist
- Date
- 19th century
- Medium
- Alpaca
- Culture
- Aymara
- Department
- Arts of the Americas
- Institution
- Minneapolis Institute of Art
Textiles were the most important commodity in ancient Andean societies. They were an essential vehicle in representing and conveying regional culture and identity, as well as a tool for social and political relationships through gift and trade. Ceremonial skirts like this one were worn by women for special occasions, and because of their limited use and the general respect and care shown for textiles, many centuries-old garments remain. The elaborate patterns in Aymara weavings represent local design motifs and aesthetics. The weaver most likely chose the rhythmic geometric and organic designs based on the meaning they held and their visual appeal. Bolivia, Americas
The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Minneapolis Institute of Art and other institutions.

Woman’s ceremonial half overskirt (aksu)
Minneapolis Institute of Art

Woman's ceremonial aksu (overskirt)
Minneapolis Institute of Art

Woman’s ceremonial half overskirt (aksu)
Minneapolis Institute of Art

Woman's ceremonial aksu (overskirt)
Minneapolis Institute of Art

Woman's ceremonial skirt (Asku)
Minneapolis Institute of Art
Overskirt (Urku)
Art Institute of Chicago

Woman’s Ceremonial Over Skirt (Ceremonial Aksu)
Minneapolis Institute of Art

Woman’s ceremonial half overskirt (aksu)
Minneapolis Institute of Art

Woman's Ceremonial Skirt
Minneapolis Institute of Art

Skirt (Aksu)
Minneapolis Institute of Art

Skirt (Aksu)
Minneapolis Institute of Art

Skirt (Aksu)
Minneapolis Institute of Art