
Minneapolis Institute of Art
Akasaka
Utagawa Kunisada; Utagawa Hiroshige; Publisher: Maruya Kyūshirō; Carver: Yokogawa TakejirōLinkedCulture matchlcp-6a2cd0dee760
- Date
- 1855, 4th month
- Medium
- Woodblock print (nishiki-e), ink and color on paper
- Department
- Asian Art
- Institution
- Minneapolis Institute of Art
- Object ID
- 42361
From the Minneapolis Institute of Art record
Originally performed in China, manzai entertainment in Japan consisted of lively and often comical blessings sung to the accompaniment of the kotsuzumi , or small drum held on the shoulder. Traveling door to door at New Year, manzai dancers were welcomed at house and palace alike, where their exaggerated gestures, lighthearted puns, and felicitous exclamations of Manzai! Manzai! (long life, long life) were a source of great amusement. Here, the connection between Hiroshige's view of Akasaka and Kunisada's depiction of two manzai dancers is linked through the symbolism of the pine tree. Since pine trees live to great age, they became emblematic of longevity. Thus, one of the manzai dancers holds a fan decorated with pine trees. Playing off this idea, Hiroshige pictured Akasaka, renowned for its ancient pines. Asia
The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Get printable QR codesHide QR codes
Open QR codes for this object page and the museum record. They stay collapsed until needed.
Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- Gift of Louis W. Hill, Jr.
Related across collections
Semantically similar works from Minneapolis Institute of Art and other institutions.