Cupid, Death and the Beyond, from Intermezzi, Opus IV, 1881

Minneapolis Institute of Art

Cupid, Death and the Beyond, from Intermezzi, Opus IV, 1881

Max Klinger

Date
1881
Medium
Etching
Department
European Art
Institution
Minneapolis Institute of Art

Death's curious chariot seems to be steered by Cupid, whose mischief-making is known to all. The contraption, turbocharged with wings and strangely outstretched legs, stays just ahead of a ghostly figure wearing a disheveled Indian headdress and accompanied by demons, riding a buffalo that gallops on human hands. Max Klinger called such images intermezzi, perhaps to remind us that they are amusements executed between his bigger, more serious projects. A leader of the Symbolist movement, he tapped fantasy and dream worlds while simultaneously giving voice to real social issues such as modern threats to Native American culture. Germany, Europe

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