Then went Satan forth from the presence of the Lord

Minneapolis Institute of Art

Then went Satan forth from the presence of the Lord

William BlakeLinkedCulture matchlcp-0b690e4fa6a3

Date
1825
Medium
Engraving
Department
European Art
Institution
Minneapolis Institute of Art
Object ID
46457

Plate V is not based on the biblical text. Here Job shares his last loaf of bread with a blind beggar. He does this since it is the proper thing to do not because he naturally wishes to do it. Such charity can only be bestowed and received with the left hand. Job's God keeps his seat by clutching at the book of law; the scroll which represents the better sides of Job's life that he has ignored appears dangling and ignored in his left hand. Nevertheless, this type of charity is a spiritual act (his right foot protrudes beneath the robe) and the angels still attend to him. The flames that Satan diverts toward the head of Job are fires of guilt; the appalled angels withdraw from them. The Gothic church is now absent for Job is now in error. The cromlech, a Druid structure in the background has replaced the church. The former is the symbol of a primal, brutal religion which sacrifices others but not the self. The sympathy of Job's wife contradicts the biblical account, where she urges Job to curse God and die; here she is supportive of her husband with confidence and love. The margins are filled with flames and briars and the serpent, now fully revealed, though not to Job. England, Europe

The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page QR destination: https://linkedculture.org/q/q1.7Lad1eASTDaEG8rR.jb7EdIrGNnpnFOZtFZ1ESqWHxxv-qmqqV7jL-VJJeHZSQmjAQAulg4B8-V9YjdEC2dPHecShTvc5T7fOm-0gPxLbL_adefBePkiEZWEAv4ofL3L0VWdwoZ1VwZt_kTEQxRIpmWOslFkamwlUp7f7LwiS7zNcPYY4MwXjO_-S4roy6djVi3PhmNaLobrG6iAoxpsSaugQbbOSnyzjha_tijixUX8lz4OHX3ZqWPk2_zlPYca9_QZaxGZ3DVtsr0HRPbhSoES6HtajUQSee at Minneapolis Institute of Art QR destination: https://linkedculture.org/q/q1.mtamQYlD3oYA9kJJ.7kOgg32vz_KgA7ST322C_NPKANJ-ia3neDCYboHoh1p778p7Hj9xIlIu1Fk62COzumps09UG6_9PvDZ27doierbbTHYqSIBWb8LRn5jganfW4FUTT9O1ECHVt-3YbPxoS0ZwntGB-g3dXaYM7hn9lFPxMfPVStVwtC92MpJOwAevtqOtVLLJmPnDBwC6NDk1GeU7QJI70W1ysjHWL08bsJ6nTeDTN699rGLmQc4E-ceJ9HHl-X_2Ew9ZkqeyKBUPze9ut4TjpajT1xZ_oQ6J
Open this page
See at Minneapolis Institute of Art

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
The William Hood Dunwoody Fund

Related across collections

Semantically similar works from Minneapolis Institute of Art and other institutions.