
Minneapolis Institute of Art
The Festival
Daniel Hopfer
- Date
- after 1520
- Medium
- Etching on iron, two sheets
- Department
- European Art
- Institution
- Minneapolis Institute of Art
Early printmakers never tired of depicting peasant shenanigans. In the sixteenth century peasants were seen by some as emblems of native German culture, while others, like Martin Luther, worried they would disrupt the social order. Across the two halves of The Festival, separated down the middle by a tree, peasants engage in the excesses that so fascinated the staid middle class-imbibing, arguing, fondling, dancing, and vomiting. Even so, the print's orderly composition suggests a more balanced view of the subject. The pride of Augsburg, Daniel Hopfer is credited with making the first etchings in the history of printmaking. Germany, Europe
The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Minneapolis Institute of Art and other institutions.

The Festival
Minneapolis Institute of Art

Peasants' Brawl, From Peasant Festival or The Twelve Months, Plate 9
Minneapolis Institute of Art

Moresca Dancers Surrounding a Sausage Seller
Minneapolis Institute of Art
The Revenge of the Peasants
Harvard Art Museums
Five German Soldiers
Art Institute of Chicago
The Village Festival
Art Institute of Chicago

Ornament with Vase; Two Designs for Sheaths
Minneapolis Institute of Art

Eve
Cleveland Museum of Art

River Landscape with Five Bare Spruce Trees in the Foreground
Cleveland Museum of Art

The Calvary
Cleveland Museum of Art
Pastoral Gifts
Art Institute of Chicago

Peasant Couple Dancing
Cleveland Museum of Art