Minneapolis Institute of Art

Eighteen Lohans Crossing the Sea

Wang Jian

Date

Wanli period, c. 1580

Medium

Ink on paper

Department

Asian Art

Institution

Minneapolis Institute of Art

Wang Jian was from Wuxi in modern Jiangsu northwest of Suzhou on the Grand Canal. The son of Wang Wen (1497-1576), a legendary painter, poet, and calligrapher, Wang Jian received his jinshi degree in 1565 and worked on and off in government service for several years during which he authored many books. He was recorded as an excellent painter in the difficult baimiao (fine outline) style exemplified in this rare hand scroll of the Eighteen Lohan. The original sixteen lohan or guardian arhats were enlightened individuals of Indian origin ordered by the Buddha to stay in this world to await the advent of the coming Buddha Maitreya. These sixteen, from an initial grouping of five hundred, were later joined by two more sinicised additions to from the Chinese set of eighteen, the jolly monk Budai and Damoduoluo (Dharmatrata). The theme of lohan crossing the sea traveling from the legendary island of Penglai in the eastern sea, to visit and influence mortal men, became a popular religious theme in the late Ming. The group is depicted here among strange sea monsters and demons in withering waves with exotic animals like the tiger, elephant, lion, dragon, Fu dogs, fish, winged horse, along with old sages and long-haired attendants. China, Asia

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