
Minneapolis Institute of Art
The Grand Piazza
Giovanni Battista Piranesi
- Date
- 18th century
- Medium
- Etching
- Department
- European Art
- Institution
- Minneapolis Institute of Art
Traces of Piranesi’s abandoned first draft—faint, intermittent straight lines that crisscross the background— reveal his improvisational working method. Using printing plates as sketch pads, torturing them with corrosive acids, and radically reworking them, Piranesi fully exploited the liberties afforded by etching. He ranks among the select company of artists—Rembrandt is another—who have done the same. Italy, Europe
The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Minneapolis Institute of Art and other institutions.

The Grand Piazza, Plate IV from the series, Carceri
Minneapolis Institute of Art

The Smoking Fire
Minneapolis Institute of Art

The Smoking Fire
Minneapolis Institute of Art

The Gothic Arch
Minneapolis Institute of Art

The Sawhorse
Minneapolis Institute of Art

The Man on the Rack
Minneapolis Institute of Art
The Grand Piazza, plate 4 from Imaginary Prisons
Art Institute of Chicago
The Grand Piazza, plate 4 from Imaginary Prisons
Art Institute of Chicago
View of the Arch of Titus, from Vedute di Roma (Views of Rome)
Art Institute of Chicago

The Staircase with Trophies
Minneapolis Institute of Art

Title plate from Carceri d'Invenzione
Minneapolis Institute of Art

Prisoners on a Projecting Platform, Plate 10
Cleveland Museum of Art