
Minneapolis Institute of Art
The Second Oriental Head
Rembrandt van Rijn; after Jan Lievens
- Date
- c. 1635
- Medium
- Etching
- Department
- European Art
- Institution
- Minneapolis Institute of Art
Though Rembrandt is a marquee name today, he wasn’t always a big deal. In his early days he had to play catch-up to a slightly younger artist, also from his hometown of Leiden, named Jan Lievens. Eventually they developed a friendly rivalry that made each artist strive to be better. For example, in the early 1630s, Lievens etched a series of imaginary portraits. A few years later, Rembrandt copied four of them, all mirror images due to the reversal inherent in the printing process. Rembrandt acknowledged his debt to Lievens by signing them Rembrandt geretuckert—Rembrandt retouched. Netherlands, Europe
The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Minneapolis Institute of Art and other institutions.

De tweede oosterse kop
Rijksmuseum

De derde oosterse kop
Rijksmuseum

De eerste oosterse kop
Rijksmuseum

De vierde oosterse kop
Rijksmuseum

Head of an Oriental
Cleveland Museum of Art

The Artist's Mother (head only, full face)
Minneapolis Institute of Art

The Artist's Mother in a Cloth Headdress (looking down)
Minneapolis Institute of Art

Rembrandt in a Heavy Fur Cap (full face)
Minneapolis Institute of Art

Bust of an Old Man with a High Cap
Minneapolis Institute of Art
The First Oriental Head
Art Institute of Chicago
Bust of an Oriental Man
Art Institute of Chicago

The Artist's Mother: Head Only, Full Face
Minneapolis Institute of Art