Christ Appearing to the Apostles

Minneapolis Institute of Art

Christ Appearing to the Apostles

Rembrandt van RijnLinkedCulture matchlcp-d6807541bb3d

From the Minneapolis Institute of Art record

These two prints belong to a loosely defined series on the life of Christ. They may be seen as a pendent pair. In both, Christ is revealed in the flesh to ordinary humans, first to the shepherds in the darkness of the Nativity stable, then to his disciples as a man resurrected from the dead in a blaze of light. Rembrandt made both difficult to discern in one due to thick darkness obscuring the gathering of onlookers; in the other due to dissolving light reducing Christ's followers to fractured lines. The simple faith of the shepherds is signaled by the lantern bearer's doff of his cap. The doubts of Thomas are revealed as Christ invites him to probe the lance wound in his side. Though Christ's arrival is in both cases physical, Rembrandt's use of extremes of darkness and light leaves no question that it is also spiritual. Netherlands, Europe

LinkedCulture assembled this text from several fields of Minneapolis Institute of Art’s catalogue record, so it is not the museum’s own wording as published. See “How LinkedCulture maps this record” below.

Minneapolis Institute of Art’s catalogue record

Dated
1650
Artist
Rembrandt van Rijn
Department
European Art
Credit
Carl W. Jones Memorial Fund, 1957 and The Miscellaneous Works of Art Purchase Fund
Medium
Etching

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Open this page QR destination: https://linkedculture.org/q/q1.HG_DfuYmWS7MU8Dt.p0bU8fKm6OW1NYfepTw5rmr5GbOyNZHE_7EllzOtZ4qIAh2tloT9jLakBaBN0PpBwMQd5YD4z5BdFrKvFCG5Iu6J3dZIdiGU3Zpki_zwNOBQeFUMKycGT9Ko8SR12g6bleVHAvkZZMBi1Bq1Rrni1oWLe9nIAU9PkORF283JqpZ0fEjAjwqDi6LBLgdxsRGf4qCiH6R52mbE0J8tFQWQbzLPM6mpBucSFvFSthsYl1FzNHo4gwRefuWgEAyWAWDDrzTQcjdgwUdO6gSee at Minneapolis Institute of Art QR destination: https://linkedculture.org/q/q1.AMxYnMDLH2p2stZz.9nDK32MDmy7H8n5AmUHcKiVJQsvi7ag4AIt8zp43LqdfEhnqR6ZADftFXSj1X5ahyLtn6PmTYIyK3y3hC7r3SqKMWNLHRPjrow97ICSFc9RsO_gVZP-su9p7sRPDcbjNh5lDSeW-xZFAE_EuJ8IUpSlNP0nbmMsYWaT6wqouaTgRo7KEC89uR8b-7x72WC6s6_lsed5i_fvHTWiLNkq9qmCciOu7D4zV9Id1Aq7Obee7EWfI4IkvZH0eVFbA0SS-aCqOQvqo0m15MVbH87cd
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To search objects from different museums together, LinkedCulture reads each museum’s record into a common set of fields. The values below are LinkedCulture’s, under LinkedCulture’s names. They are not Minneapolis Institute of Art’s wording; the museum’s own record is shown above under its own labels.

Object ID
55736
Object Type
Prints
  • Minneapolis Institute of Art field “Classification” · the first available of several museum fields
  • Minneapolis Institute of Art field “Object Name” · the first available of several museum fields
Creator
Rembrandt van Rijn
  • Minneapolis Institute of Art field “Artist” · copied as is
Medium
Etching
  • Minneapolis Institute of Art field “Medium” · copied as is
Department
European Art
  • Minneapolis Institute of Art field “Department” · copied as is
Credit Line
Carl W. Jones Memorial Fund, 1957 and The Miscellaneous Works of Art Purchase Fund
  • Minneapolis Institute of Art field “Credit” · copied as is
Date
1650
  • Minneapolis Institute of Art field “Dated” · copied as is
Begin Year
1650
  • Minneapolis Institute of Art field “Dated” · derived by LinkedCulture from the museum field
End Year
1650
  • Minneapolis Institute of Art field “Dated” · derived by LinkedCulture from the museum field

The museum’s own record has not been captured for this object yet, so the museum fields shown above are limited to values LinkedCulture stored unchanged.

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