Pan and Pomona

Minneapolis Institute of Art

Pan and Pomona

Jan Verkolje; after Caspar Netscher

Date
c. 1685
Medium
Mezzotint
Department
European Art
Institution
Minneapolis Institute of Art

In the late 17th century, Dutch painting became hyper-refined in both technique and subject matter. Here, this smooth-limbed Pan's identity is almost completely obscured, except for a hint of his elongated ears. Paintings with enamel-like surfaces barely showed a brushstroke; so, printmakers such as Jan Verkolje developed to a high degree of perfection the non-linear technique of mezzotint-halftones-which could produce almost seamless gradients of shading. Netherlands, Europe

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