
Minneapolis Institute of Art
The Raising of Lazarus
Rembrandt van Rijn
- Date
- c. 1632
- Medium
- Etching
- Department
- European Art
- Institution
- Minneapolis Institute of Art
Rembrandt's genius enabled him to select the moment of greatest psychological transformation for his biblical narratives. This is what gives his religious etchings such dramatic power. In this story, Lazarus had been dead in his tomb for four days when Jesus had the stone rolled back and cried, Lazarus, come out! It was Christ's crowning miracle, the one that cemented the crowd's belief in him. In The Raising of Lazarus, Rembrandt puts the focus on the bystanders, who gesticulate in amazement. The space around Lazarus is flooded with light, while the recesses of the cave dissolve into darkness. Netherlands, Europe
The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Minneapolis Institute of Art and other institutions.
The Raising of Lazarus: The Larger Plate
Art Institute of Chicago

De opwekking van Lazarus
Rijksmuseum

De opwekking van Lazarus
Rijksmuseum

The Raising of Lazarus
Getty Museum

The Resurrection
Getty Museum

Christ Returning from the Temple with His Parents
Minneapolis Institute of Art

The Raising of Lazarus
Minneapolis Institute of Art

Christ Disputing with the Doctors
Minneapolis Institute of Art
The Raising of Lazarus
Art Institute of Chicago

Christ Presented to the People (Ecce Homo)
Minneapolis Institute of Art

The Virgin and Child with Cat and Snake
Minneapolis Institute of Art

The Three Crosses
Minneapolis Institute of Art