Bookcase door panel

Minneapolis Institute of Art

Bookcase door panel

Designer: Owen Jones; Manufacturer: Jackson & GrahamLinkedCulture matchlcp-80ecc177a5e4

Date
c. 1866
Medium
Wood
Department
European Art
Institution
Minneapolis Institute of Art
Object ID
60509

From the Minneapolis Institute of Art record

After extensive study travels throughout Egypt, Turkey, and Spain, Owen Jones published Plans, Elevations, Sections and Details of the Alhambra in 1842. This pioneer work illustrated Islamic design motifs and was the first major British work printed in chromolithography. Jones's own adaptation of the Islamic style is best exemplified by the interiors he created for 16 Carlton House Terrace, the London townhouse of scholar and antiquarian Alfred Morrison (1821-1897). Jones and Morrison's passion for Orientalism and craftsmanship, with the help of Morrison's considerable fortune, resulted in a rich layering of ornament throughout the townhouse's first two floors. Nearly every surface was decorated with exotic woods, enamel, marble, or gilding in geometric and naturalistic patterns. This door panel from a bookcase illustrates the archeologically-inspired Pompeian theme of Morrison's study, where he displayed Venetian glass, Chinese vases, and metalwork from his collection. Jones's designs for furniture and paneling, including this piece, were executed by London's most respected cabinetmakers, the firm of Jackson and Graham. Note in this gallery the enameled glass flasks , also designed for Morrison's townhouse by Owen Jones, and the Etruscan table made by Jackson & Graham from Alexander Prignot's design. England, Europe

The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page QR destination: https://linkedculture.org/q/q1.jmDOG42ee2RvTAbR.jXTyrQhMc1xfAVqYx_VJzby8S5AvLQ2hm_AafYRP8GLnHnClDiWhpq5ruYE2R5-uUkgYU-5l_D6FOIeO9sVJmd3MUx8Qjds2Ln_PR9A31-5KE8U7p_nq5Lt_QZ2xtz3DY6XPX4kud4KpD5wn-zrh6v1JZaShIbf3gxC3XFXzD4fGWxpBlnRmPtOaEOd5rc3fUJX9wEbkhvSu0IE6Ses97yVroRMIyeyNybvZaNzu3m1js60cqq8M6_ld_q7jvkkgj0qR0_r4nuxfSQSee at Minneapolis Institute of Art QR destination: https://linkedculture.org/q/q1.g7JDAcVgo8qNIq96.GGYqEm-a1qEncu13H_JNJctqve0e6l5gmXSeOv64AWAYPLIgnHN_RuOO7OlUwVGSVgMIxorX1bwmN2clYdQ9yzu7HLKJ7sEuJZ-yz4-3Sc2JUxKklXksecFOWKJK2U0QM43bxo0tZh5zo0hQy2JAN81eeyKKXlrW3nsWLJt5pu2lzCzOUZaEL2qHnZzwNbXekH1VJaEGw0G5C7nYxtuAEIuW-kN4vWNwz_WF81oEchUIVnc9uU67kwBQFKhhqOquD2FJd3ba9vGalX9k7_Ni
Open this page
See at Minneapolis Institute of Art

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
Gift of Various Donors, by exchange

Related across collections

Semantically similar works from Minneapolis Institute of Art and other institutions.