
Minneapolis Institute of Art
Candlestick, from a five-piece Buddhist altar set
Japan
- Date
- 18th century
- Medium
- Bronze
- Department
- Asian Art
- Institution
- Minneapolis Institute of Art
In East Asia, Buddhists place incense, flowers, and light (candles) before holy images as an expression of homage and to increase the magnificence of the worship hall. Incense is believed to purify the space, flowers constitute an offering or gift to the diety, and light symbolically illuminates the darkness of ignorance. Altar sets consisting of flower vases, candleholders, and incense burners were first brought to Japan by traveling priests in the 1200s. By the 1300s, the Japanese were casting their own versions, which were more subdued than their Chinese prototypes and often featured birds and flowers of the four seasons cast in high relief. Miniature altar sets, such as this one, were used in formal reception halls when the painting on display in the alcove represented a Buddhist diety.
The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Minneapolis Institute of Art and other institutions.

Candlestick, from a five-piece Buddhist altar set
Minneapolis Institute of Art

Incense burner, from a five-piece Buddhist altar set
Minneapolis Institute of Art

Flower vase, from a five-piece Buddhist altar set
Minneapolis Institute of Art

Flower vase, from a five-piece Buddhist altar set
Minneapolis Institute of Art

Incense burner
Minneapolis Institute of Art

Incense tripod
Minneapolis Institute of Art

Two-piece Candlestick, one of a pair
Minneapolis Institute of Art

Imperial candlestick
Minneapolis Institute of Art

Imperial candlestick
Minneapolis Institute of Art

Candlestand of a crane on a long-tailed tortoise
Minneapolis Institute of Art
Buddhist Votive Stele
Art Institute of Chicago

Frontal for a Buddhist altar
Minneapolis Institute of Art