Minneapolis Institute of Art

Indians in Council

Seth Eastman

Date

1850

Medium

Watercolor

Department

Arts of the Americas

Institution

Minneapolis Institute of Art

Seth Eastman may have used this picture-perfect chief and the council theme as an excuse to make candid portraits of these Dakota villagers. Many brought their long-stemmed pipes, signs of hospitality. The blue-and-white striped blanket worn by the figure seated below the person in orange (standing near the chief) could be a Hudson Bay blanket, underscoring the cosmopolitan exchange of goods that characterized the lives of Native people. Far from static or isolated, they benefited from lively trade routes that brought the world’s goods to their door. They also bent those goods to their own creative ends. The seated figure near the tipi’s flap showed his individualism by sticking feathers in the top of a fedora. This watercolor, one of 35 works on paper by Eastman in Mia’s collection, was the basis for an illustration in Henry Rowe Schoolcraft’s massive Historical and Statistical Information Respecting the History, Condition, and Prospects of the Indian Tribes of the United States (Philadelphia: Lippincott, Grambo & Co., 1851-57). Americas

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