Minneapolis Institute of Art

Lilium superbum (Superb Lily)

Engraver: de Gouy; After Pierre-Joseph Redouté

Date

1805

Medium

Color stipple engraving with hand-coloring

Department

European Art

Institution

Minneapolis Institute of Art

Botanical illustrators working in the fifteenth and sixteenth centuries devoted themselves to the medicinal qualities of plants and sought to render plant structure and function as precisely as they could. Later, European explorers brought specimens back from exotic locales, and artists carefully reproduced them for an audience fascinated by new discoveries. By the eighteenth and nineteenth centuries, artists had shifted their emphasis from scientific illustration to the innate beauty of the plant or flower. Perhaps the most recognizable name in botanical illustration is the incomparable Pierre-Joseph Redouté (1759-1840). Often called the Raphael of Flowers, Redouté set a new standard in the field for his sumptuous renditions of single blooms and entire bouquets. Redouté's paintings, like those of other botanical artists, were translated into engravings and painstakingly finished by hand. These exquisite prints, most executed by French printmakers, came to Mia's Department of Prints and Drawings from the collection of Dwight and Helen Minnich, who had a special fondness for botanical and zoological prints. Belgium

The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.