
Minneapolis Institute of Art
Rotherhithe
James Abbott McNeill Whistler
- Date
- 1860
- Medium
- Etching
- Department
- Arts of the Americas
- Institution
- Minneapolis Institute of Art
In the fall of 1859, James McNeill Whistler took as his subject the banks of the River Thames in London. At that time, the river was not unlike a cesspool passing through the heart of the city. People feared disease from the polluted water, and workers regularly poured large quantities of lime into the river to control the stench. The area attracted a dangerous crowd, and decent people did not venture there. Despite these conditions, Whistler chose to live beside the river among the laborers and dockworkers. Shortly after he created the sixteen etchings of his Thames Set, reforms swept through the area; by the time his etchings were published in 1871, many of the scenes had been altered and are virtually unrecognizable today. United States, Americas
The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Minneapolis Institute of Art and other institutions.

The Thames
Minneapolis Institute of Art

The Thames
Minneapolis Institute of Art

Old Putney Bridge
Minneapolis Institute of Art

Square House, Amsterdam
Minneapolis Institute of Art
Grey and Silver: Old Battersea Reach
Art Institute of Chicago

The Forge from Sixteen Etchings of Scenes on the Thames and Other Subjects
Minneapolis Institute of Art
Old Battersea Bridge
Art Institute of Chicago
Black Lion Wharf, from A Series of Sixteen Etchings of Scenes on the Thames (the "Thames Set")
Art Institute of Chicago
Rotherhithe
Art Institute of Chicago
Rotherhithe
Art Institute of Chicago

Rotherhithe
Cleveland Museum of Art
Rotherhithe
Harvard Art Museums