
Minneapolis Institute of Art
The Circumcision
Hendrick Goltzius
- Date
- 1594
- Medium
- Engraving
- Department
- European Art
- Institution
- Minneapolis Institute of Art
Created in the manner of the great German printmaker Albrecht Dürer (1471–1528), this engraving was the culmination of Goltzius's exercise in emulating the work of others. Taken from Dürer's woodcut of the same subject, Goltzius succeeded in capturing both the technical brilliance and unique style of the Nuremberg master, yet cleverly imposed his own ideas and settings. In fact, the scene is actually set in a chapel of St. Bavo's Church in Haarlem. The figure standing in the arched doorway in the background gazing at the viewer is Goltzius himself, the earliest known self-portrait of the artist. Netherlands, Europe
The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Minneapolis Institute of Art and other institutions.
The Circumcision, plate four from The Birth and Early Life of Christ
Art Institute of Chicago
The Circumcision, from The Birth and Early Life of Christ
Art Institute of Chicago

The Crucifixion
Minneapolis Institute of Art

The Circumcision of Christ
Minneapolis Institute of Art

The Large Passion: The Crucifixion
Cleveland Museum of Art

The Circumcision of Christ
Minneapolis Institute of Art

Circumcision of Christ
Minneapolis Institute of Art

Sudarium Displayed by Two Angels
Minneapolis Institute of Art
The Circumcision of Christ, from The Life of the Virgin
Art Institute of Chicago

Virgin and Child Seated by the Wall
Minneapolis Institute of Art
The Circumcision
Art Institute of Chicago
Calvary
Art Institute of Chicago