Minneapolis Institute of Art

Magasin des Modes Nouvelles, Seconde Année, Premier Cahier, 20 Novembre 1786

Engraver: A.B. Duhamel; after Claude-Louis Desrais; Author: Jean-Antoine Lebrun-Tossa; Publisher: François Buisson

Date

November 20, 1786

Medium

Hand-colored engravings, letterpress

Department

European Art

Institution

Minneapolis Institute of Art

In the years leading up to 1789, elite French fashion reached new heights of artifice and grandeur. For women, this involved padded, curled, and powdered hair, outsized hats, and lavishly trimmed silk gowns with full skirts shaped by rigid supports of cane or whalebone. Men's formal attire included silk suits trimmed with sparkling metal embroidery, costly lace accessories, and glittering buttons and shoe buckles made of real silver. Coiffed and powdered wigs demanded hats be carried under the arm rather than worn on the head for special occasions. Hats designed for such use were called chapeau bras, literally “arm hats.” Swords indicated high rank and distinction, a symbolic expression of a nobleman’s feudal bond with the king. All of these fashionable frivolities would soon fall victim to the Revolution. France, Europe

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